Owner: | Consorts Schloss Paris, France |
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Collection: | (Schloss) Adolphe Schloss-The Schloss collection was assembled with great care by Adolphe Schloss, a German Jew who settled in Paris in the late 19th century. In August 1939, the collection was transferred to a vault at the Chateau de Chambon (Corrèze) for safekeeping. On April 16, 1943, a combination of Nazi policemen and French officials from the CGQJ worked together to confiscate the Schloss collection and transfer it to Paris for processing. There, the collection was split into three parts--the largest going to the Linz Museum project. That part of the collection (262 paintings) was transferred to the Führerbau (Munich) on 24 November 1943 where it remained untouched until 29-30 April 1945 when local Munich citizens broke into the building housing the collection and hundreds of other works and stole everything. Nearly half of the Schloss paintings are still unrestituted. |
Inventory No.: | Schloss 10 Kiste Nr. München Fuhrerbau 12 Tableau No. 12 |
Artist: | Nicolaes Berchem |
Medium: | Paintings |
Title: | Rückkehr vom Feld [Retour des champs; Return from the field] |
Description: | Holz 31 x 27 cm (33 x 29 cm) Rechts unten voll bezeichnet “Berchem f” [Signé en bas à droite] Feines Bild |
Literature: | HdG IX, Nr. 505 |
Provenance and Comments: | Versteigerung: Febvre (Hôtel Drouot), Paris, 17.April 1882, Nr. 44, frs. 810. |
Archival Sources: | BArch B323/1212, B323/56, Bundesarchiv, Koblenz, Germany; AMAE MH 117, Archives du Ministère des Affaires Étrangères, La Courneuve, France; RG 11.011M Reel 428 Fond 1524, USHMM, Washington, DC, USA. |
Measurements: | 31 x 27 cm |
Signed? | Yes |
Intake place: | 38 avenue Henri Martin, Paris |
Transfer place: | Chateau de Chambon, Laguenne, Corrèze |
Transfer date: | 1939-08-20 |
Transfer place: | Banque Dreyfus, Paris, France |
Transfer date: | 1943-08-11 |
Transfer place: | Jeu de Paume |
Transfer date: | 1943-11-03 |
Transfer place: | Führerbau, Munich |
Transfer date: | 1943-11-24 |
Linz No.: | 3108 |
Restituted? | No |
Images: |